isn't this cover just stunning, i know i like it :)
Whats is about?
The world is in danger. Mankind is sinking deeper into darkness it cannot understand.
Demons
 are easily capturing souls as they lead men and women down dangerous 
paths from which there is no return, while Javan, one of the Fallen, 
seeks an ancient book and the power it promises. If he succeeds, humans —
 and the world as they know it — will be destroyed.
There is someone who is capable of stopping Javan . . . 
If she discovers him in time.
Gabrielle
 is one of the most powerful angels ever created, her job one of the 
most important. She has come to Earth to learn more about humans and 
what influences them, and to fight evil she sees growing at an alarming 
rate. She soon finds herself carelessly distracted with one human in 
particular, however. Lucas Watkins holds a promise of peace and love for
 Gabrielle that she never believed she could have again. 
As 
feelings between her and Lucas become more than she can deny, so do the 
dangers mounting against him. After discovering who Lucas is, and the 
choice he faces, she realizes Darkness will come for him through demons 
and fantastical beings he thought only existed in his imaginings — 
forcing fairytales to become his reality. 
Caught between her new
 mortal ties and ancient immortal responsibilities, Gabrielle must race 
against what seems to be an ever-quickening clock to learn what she 
needs to know, protect Lucas, uncover Javan’s plan, and find a way to 
stop him and all who live in Shadows.
Things become more complex 
than she ever anticipated, her decisions more critical, and what begins 
as a quest for information rapidly places her in an even more crucial 
position within the longest and most important war ever waged. 
Join
 Gabrielle and her allies in a story of love – past and present – 
fantastical beings, hidden realms, magic, fate, loss, and the fight of 
good versus evil
Interview with the main character
 
      
      
        
    
    
    
  
      “It’s nice to formally meet you, Teal. I’m Gabrielle . . . but you already know that.”
  “Of course. I did create you, after all,” I respond with a smile full 
of pride I think only an author can understand when sitting across from a
 character they birthed. Especially when that creation of fiction led to
 a birth of a different kind in my own life.
  This interview 
between author and character had not been planned. It came up suddenly 
when Gabrielle decided she wanted to know how she came to be, and 
thought the future readers of her story would also want to know. At 
first I wasn't sure about the idea, but now, as the Angel of Karma 
stands in front of me, I am glad for the opportunity.
  As we 
settle in our chairs, my desk separating us, I realize it‘s hard to 
dissect the expression of the angel sitting across from me. Nothing is 
readable in her eyes or demeanor. It makes me wonder what is going on in
 her mind, though not knowing and having the interview told through my 
point of view is something I agreed to when Gabrielle asked to do this.
  An open window behind me brings in crisp morning air. The telling of 
fall’s approach is being spoken by the breeze, but its chill is slowly 
warmed by a sun that's grown lazy after the work of summer. Leaves are 
less green as the reds, yellows, purples, and oranges spread across 
Tennessee, as if the colors are an army marching painfully slow toward a
 war they don’t want to fight. It’s mid October 2012, my favorite time 
of year, and I am less than four months from the projected publication 
date for Inception, the first book in the story of The Reaping 
Chronicles — Gabrielle’s story , and a story that I never knew was 
inside me until almost two years ago.
  “So,” I begin with what 
I’m sure is a tone of uncertainty since I am still trying to decipher 
what might be going on in Gabrielle’s mind, “what would you like to 
know?”
  “Well, let’s start with the question that is tops in my mind. How did you come up with the idea for me, the Angel of Karma?”
  I smile again, a bit more subdued. The way she came about was one of 
the most enlightening times of my life and one of the saddest. She was 
born from pain and anger and frustration and an extreme sense of a 
terrible injustice that was being done in the life of someone I cared 
about very much. But, she also saved me . . . literally.
  
“Okay.” I take a deep breath before I begin, filling my lungs with air 
and my body with courage to tell my tale. I don’t like the spotlight . .
 . never have. But, when it comes to my writing I have discovered I am 
willing to step into it. I love what I am doing that much. “I have 
always been a strong believer in you reap what you sow. I have lived my 
life trying very hard to do what’s right. I sometimes fail, sometimes 
miserably, but I try. And I am a very spiritual person. During the year 
prior to coming up with you and the story of The Reaping Chronicles, 
however, I went through some horrible circumstances and there was a 
person who was getting away with heinous things, who had gotten away 
with many others over the years that I also knew about. I found myself 
questioning my beliefs. It tested my spirituality to an extreme, and I 
began to grow angry and bitter. That’s something that is never good for 
anyone, but particularly for me because I can be terribly vindictive and
 vengeful. It’s a side of me that I combat daily and it was beginning to
 win the war being waged inside me more every day.” I pause and take a 
deep breath, wondering if I am telling too much and considering how I 
will be judged for telling on that side of me. It’s a side I know most 
people have, but most also try to keep it hidden away behind facades. 
This is me, though. This is my story.
  “So,” I continue, “during
 this internal struggle, the dialogue I was having on a daily basis with
 God seemed to be growing more adversarial by the minute, and I found 
myself wishing I was in charge of giving out karma — good and bad — so I
 could make sure this person got exactly what they deserved. That made 
me wonder why karma couldn't be the charge of one individual, which led 
to me thinking about whom, in my mind, should be in charge of it. That 
all led to me deciding it should be an angel that was given the task, 
the Angel of Karma. A specific job assigned to a specific angel — you.”
  Her mouth pushes up her cheeks as she smiles, but I see sadness behind
 the expression. I wonder how the story I have created has affected her .
 . . I wonder what she thinks of me.
  “What made you want to create a story around the idea?”
  “That’s easy. I had just started writing fiction again after not 
writing anything except for poetry for twenty-three years. I wrote very 
short children’s stories when I was a teen — animals talking to animals .
 . . that sort of thing — but also stopped as a teen. In the month prior
 to coming up with the idea that turned into you and The Reaping 
Chronicles, I wrote two short stories for challenges given by my writers
 group. I was shocked and thrilled that not only could I still write 
fiction — though it wasn't necessarily great fiction — but that I was 
able to write in genres I had never attempted. The first was a scary 
story for Halloween, and the second was speculative fiction. After that I
 decided to try a book — something I had always wanted to do — and had 
been trying to come up with an idea. The Angel of Karma was perfect.”
  “Why did you stop? Writing fiction, I mean.”
  I laugh a bit at this. The reason is lame, and I know it.
  “I stopped because I was praised for it. I stopped doing everything I 
was given praise for in my teens — my horseback riding, photography, and
 my writing.”
  “But you continued to write poetry.”
  “I 
didn't share my poetry with anyone until I was in my late twenties, so I
 never received praise for it in my teens. Plus,” I add with a smile, “I
 don’t think my poetry is particularly good. I write it for myself. It’s
 not correct in form or style. It’s a way I get my feelings and thoughts
 out. I really don’t care if anyone likes it because I write it 
specifically for me. I think I would have continued to write it, 
regardless. Stories are different for me. I want people to like them.”
  Gabrielle laughs with a sarcastic edge at that, and I realize it makes
 no sense.    "Why, then, did you stop writing the fiction that you do 
care about, that others praised you for? People liked it.”
  I 
don’t answer her right away. Instead, I look out the window of my home 
office at the trees as they toss in the wind, noting how much the leaves
 seem to change in the short hours between sunset and sunrise, as I 
ponder her question. I have wondered the same thing since I first walked
 away from my writing and photography and horseback riding — all of my 
passions — when I was almost seventeen. I have wondered, and have 
continued wondering because I have never come up with the reason that 
made sense to me.
  I look back at her as she shifts in her chair and I smile a hint of a smile.
  “I honestly don’t know how to answer that question.”
  The answer raises one brow above her big green eyes.
  “I know it doesn't make sense, and I guess that’s why I don’t know how
 to answer it. I’m just glad I started to write again. It’s changed my 
life . . . it saved me.”
  She seems to understand, even without 
explanation, and I wonder if she knows what I mean. After all, she was 
created from my mind. The same mind that was dealing with that internal 
war, the same one that found solace from the thoughts of revenge I was 
having that were consuming me like it was some starving carnivorous 
beast and I was the last meal it would ever eat. She, and The Reaping 
Chronicles, rescued me from those dark, nefarious places in my mind.
  “So, I guess you can thank something bad for setting you on the path that led to something you consider so good.”
  “Yes, I can. And I think that’s how it usually works if we are open to
 the purpose of times like that. I feel, now, like I know exactly why 
things worked out as they did, and it was for the best.”
  “You don’t want revenge anymore?”
  “I would say I don’t want to personally take revenge, but I would be happy to know karma had paid a visit to those people.”
  “Do you think I will?”
  “I fully believe that, yes . . . they will pay the price. What goes 
around comes around. I just might not have the front row seat and bucket
 of popcorn I desire.”
  Gabrielle is quiet for a moment, her 
eyes searching me, and I think about how I have written how her gaze 
made Lucas feel as I wrote intense scenes with them — the same gaze I am
 now under. The irony causes goosebumps to rise on my skin and I try to 
casually rub them away.
  “Is there anything else you want to know, Gabrielle?”
  She still stares.
  Studies.
  'Boy . . . she really is an intimidating creature,' I think, and the 
impression she is leaving on me is deep, because I know I'm not easily 
intimidated. Her lips part slightly in a smile as if she knows what I am
 thinking.
  'Does she know?' And that thought causes the bumps on my arms to come back.
  “Why did you write so many things in Inception that would break my heart?”
  “Wow,” is all I say for a moment.
  As we sit there, both of us waiting on my response, I try to figure 
out how to answer without sounding heartless. I realize I can’t.
  “Because people relate to heartbreak.”
  “So,” she continues, and I think I note a bit of venom slipping into 
her tone, “why don’t you share how you have been betrayed . . . how your
 heart has been broken. We both know it comes from personal experience.”
 She pauses and her gaze seems to turn into a glare for a fraction of a 
second. It is swift, but was definitely there. “And is something you 
have dealt with very recently and in deeper ways than ever before.”
  My heartbeat suddenly ratchets as I realize that, in fact, she is very
 aware of me — my thoughts, my emotions, my experiences . . . my life. 
More so than I was ready to believe. I am uncomfortable with this 
interview, now, but my shock at her shift quickly turns into reserved 
anger.
  “Gabrielle, I think this is enough for today. Maybe, at 
another time, we can continue this interview. As for now, however, I 
have to get back to writing your story and the story of your friends and
 enemies.”
  I stand, and she mimics my movement.
  Without another word between us, she disappears in flowing, smoky white wisps.
  But . . . I swear her eyes are the last to fade . . . and they are shooting daggers at me.
  I don’t know what I expected from this interview, and I don’t know if I
 will ever let her do another one. But I can say that I was not 
expecting her to become so adversarial. I also find, while standing in 
my office in the moments after she left, that my anger easily softens. 
She is, after all, subject to my whims. She doesn't know how her story 
is going to end, yet, because I haven’t written it to its end. She only 
knows the content of the first book. I imagine she must not trust me. 
How can she? And, if I were her, I would be angry at me, too.
  
She doesn't have any idea what I have in store for her, what trials and 
triumphs and failures I have in mind, obstacles I’ll put in her way, who
 and what she will lose or gain — how many more times I will have 
someone betray her or in what ways I will break her heart even more than
 she already knows I have.
  I am her creator, her ruler.
  And, in many ways . . . I am her Angel of Karma. 
©2012 Teal Haviland 
 
 
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